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Product details |
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| PRE-CLASSICAL AND CLASSICAL / CHAMBER ( 2 CD ) |
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| GLOSSA - GCD 920308 |
| Luigi Boccherini |
| En Boadilla: Trios opus 14 (1772) |
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Performers |
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La Real Cámara :
Enrico Gatti, violin
Emilio Moreno, viola
Gaetano Nasillo, cello |
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Content |
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Luigi Boccherini (1743-1805):
CD 1
Trio op.14/1 (G95) in F major
1 Allegro 6:40
2 Adagio assai 4:30
3 Minuetto Allegro 4:51
Trio op.14/2 (G96) in C minor
4 Allegro moderato 6:46
5 Adagio 4:07
6 Tempo di minué 3:49
7 Prestissimo 1:46
Trio op.14/3 (G97) in A major
8 Allegro moderato 6:48
9 Largo 1:49
10 Allegretto smorfioso & Adagio come Iª 3:46
11 Minuè 5:31
CD 2
Trio op.14/4 (G98) in D major
1 Allegro giusto 5:43
2 Andantino 2:47
3 Allegro assai 3:09
Trio op.14/5 (G99) in E flat major
4 Andantino 3:20
5 Allegro, e con spirito 4:25
6 Variazioni. Allegretto sostenuto 5:10
Trio op.14/6 (G100) in F major
7 Larghetto 4:20
8 Allegro 3:59
9 Rondeau con moto 2:34
2 CDs - DDD |
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Production information |
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Recorded at Église de Franc-Waret, Belgium, in March 2005
Engineered and produced by Manuel Mohino
Booklet essay by Jaime Tortella
Executive producer: Carlos Céster
Design 00:03:00 oficina tresminutos
Booklet in English - Español - Français - Deutsch |
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More information |
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Whether it is as a string player, as a director of ensembles like La Real Cámara or El Concierto Español, or
as a teacher and a scholar Emilio Moreno has been applying his talents in the cause of the music that he
loves and defends: the previously ignored area of the Spanish Baroque and pre-Classical eras. Moreno’s
chamber music activities with La Real Cámara have provided us, for instance, with a survey of music from
the times of the painter Francisco Goya as well as a previous disc devoted to late Boccherini String Trios.
This new Boccherini recording covers the group of six Trios (G95-100, op.14) dating from 1772 when
Boccherini was working in Spain for the Infante Don Luis de Borbón in Boadilla – in the palace recently
restored for Milos Forman’s film Goya’s Ghosts – which come to life in the hands of Moreno and his longterm
collaborators Enrico Gatti and Gaetano Nasillo.
Moreno: “From the very beginning Boccherini has always been a reference point in Spanish music for me.
Although it is true that he was already fully-formed as a composer when he arrived in Spain, the subsequent
Spanish influence on him – beyond the question of fandangos – is so clear that it is difficult not to consider
Boccherini as a Spanish composer. I am captivated by his marvellous independence from the Viennese
tradition, his particular handling of string colour, his easy-going and fluid melodic capacity, the delicateness
of his dynamic shadings… The six Trios op.14 from 1772, together with the terzettini, op.47 from 1793 are
the only works written for the combination of violin, viola and cello. They are possessed of an admirable
writing in which the three instruments at times sound like a quartet or a quintet; the part for the viola – and I
have a special attraction for this instrument – is specially beautiful; and I was additionally attracted to the
idea of recording these pieces alongside my great, admired and much-loved friends Enrico Gatti and
Gaetano Nasillo, with whom I enjoy an immense musical affinity.” |
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