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Product details |
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| BAROQUE ( 1 SACD ) |
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Based on his elaborate research, Sigiswald Kuijken made two important discoveries: first, in the 18th Century many cello parts were actually meant to be performed on the violoncello da spalla, the little sister of the violoncello , which was played like a violin or viola. Second, that multiple casting of strings was rather the exception than the rule for Vivaldi. Kuijken follows both with this recording and the result seems to prove him right.
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| ACCENT - ACC 24179 |
| Antonio Vivaldi |
| The Four Seasons; Concerto for Cello... |
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Performers |
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Dmitri Badiarov, Luis Otavio Santos & Sara Kuijken, violins
Frank Agsteribbe, harpsichord
La Petite Band
Sigiswald Kuijken, violoncello da spalla, violin and conductor |
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Content |
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Antonio Vivaldi (1678-1741):
Concerto in D major for violoncello, strings and basso continuo (RV 403)
Soloist: Sigiswald Kuijken, violoncello da spalla
Le Quattro Stagioni / The Four Seasons:
(op. 8, no. 1-4):
La Primavera / Spring
Concerto in E major (RV 269)
Soloist: Sara Kuijken
L’Estate / Summer
Concerto in G minor (RV 315)
Soloist: Luis Otavio Santos
L’Autumno / Autumn
Concerto in F major (RV 293)
Soloist: Dmitri Badiarov
L’Inverno / Winter
Concerto in F minor (RV 297)
Soloist: Sigiswald Kuijken
Sonata in D minor op. 1 No. 12 «La Follia» (RV 63)
Luis Otavio Santos and Sara Kuijken, violins
Sigiswald Kuijken, violoncello da spalla
Frank Agsteribbe, harpsichord
1 SACD - DSD - DDD - Hybrid Multichannel Stereo |
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More information |
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Based on his elaborate research, Sigiswald Kuijken made two important discoveries: first, in the 18th Century many cello parts were actually meant to be performed on the violoncello da spalla, the little sister of the violoncello , which was played like a violin or viola.
Second, that multiple casting of strings was rather the exception than the rule for Vivaldi. Kuijken follows both with this recording and the result seems to prove him right. |
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